There’s a dual-native ISO for great low-light capture, and a claimed 13 stops of dynamic range to provide detailed HDR images. Features include a huge five-inch screen that means you can largely do away with an external monitor, and a USB-C output so you can record up to 12-bit to inexpensive external SSD drives.
In comparison, the Blackmagic Pocket Cinema Camera 4K really is designed solely for filmmaking, with specs that leave other wannabes lagging far behind. There are still the handling quirks and often handicapped specs, in order to avoid cannibalising sales of their more expensive video cameras. Taking a camera clearly designed for stills and adding more features for movies doesn’t make the camera ideal for filming. While other companies might say they make a filmmaker-specific version of their mirrorless cameras, the reality is that they are largely just playing at it. Finally a mirrorless camera that really is designed for making movies above all else.
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